Ang PAGBALUKTOT SA SALIGANG BATAS
Ang PAGBALUKTOT SA SALIGANG BATAS
Amiel Gerald A. Roldan™
September 11, 2026
Ay naku, mga kapatid sa batas at sa bulok na politika—pakinggan ninyo ito nang mabuti, baka sakaling pumasok sa makapal ninyong bungo.
PAGBALUKTOT SA SALIGANG BATAS?
Tama na ’yan. Sobrang tama na.
Direkta, simple, malinaw, at walang kahit katiting na alingawngaw ng duda ang sinasabi ng ating Konstitusyon. Article XI, Section 3 (6):
“No person shall be convicted without the concurrence of two-thirds of all the Members of the Senate.”
Hindi “majority of those present.”
Hindi “kung sapat na sa pakiramdam.”
Hindi “depende kung sino ang nakaupo sa kabilang dulo ng mesa.”
Dalawang-ikatlo ng LAHAT.
Sampu’t anim.
Sixteen.
Hindi fifteen. Hindi fourteen. Hindi “close enough.”
Walang kapangyarihan ang sinumang senador—kahit anong taas ng noo o kapal ng mukha—na mag-rebisa, mag-amyenda, magbaluktot, o maghugas ng kamay sa bilang na iyon. Ang Senado bilang impeachment court ay hindi Creator ng batas; sila ay tagapagpatupad.
Kung may duda, may tanong, may “eh kung…”—may Korte Suprema. Sila lang ang may karapatang magpaliwanag. Hindi ang mga naka-wig sa session hall, hindi ang media handlers, hindi ang Twitter lawyers.
Kaya tama na ang pagbabaluktot.
Tama na ang creative interpretation.
Tama na ang “spirit of the law” na pabor sa sariling interes.
Enough of bend the law.
Respect the rule of law.
O baka gusto ninyong subukan pa?
Sige. Subukan ninyo.
Pero tandaan: ang Saligang Batas ay hindi pasta na pwedeng i-stretch hanggang sa mawala ang hugis.
Kapag nabali, ang bumabali ang may pananagutan—hindi ang batas.
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Amiel Gerald A. Roldan™' s connection to the Asian Cultural Council (ACC) serves as a defining pillar of his professional journey, most recently celebrated through the launch of the ACC Global Alumni Network.As a 2003 Starr Foundation Grantee, Roldan participated in a transformative ten-month fellowship in the United States. This opportunity allowed him to observe contemporary art movements, engage with an international community of artists and curators, and develop a new body of work that bridges local and global perspectives.Featured Work: Bridges Beyond Borders His featured work, Bridges Beyond Borders: ACC's Global Cultural Collaboration, has been chosen as the visual identity for the newly launched ACC Global Alumni Network.Symbol of Connection: The piece represents a private collaborative space designed to unite over 6,000 ACC alumni across various disciplines and regions.Artistic Vision: The work embodies the ACC's core mission of advancing international dialogue and cultural exchange to foster a more harmonious world.Legacy of Excellence: By serving as the face of this initiative, Roldan's art highlights the enduring impact of the ACC fellowship on his career and his role in the global artistic community.Just featured at https://www.pressenza.com/2026/01/the-asian-cultural-council-global-alumni-network-amiel-gerald-a-roldan/
He is a Filipino multidisciplinary visual artist, printmaker, painter, independent curator, researcher, writer, and cultural worker whose practice spans contemporary art, curatorial work, and cultural advocacy. He has been active in the Philippine art scene since the late 1990s and has worked with galleries, museums, artist-run spaces, and international cultural organizations.
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A multidisciplinary Filipino artist, poet, researcher, and cultural worker whose practice spans painting, printmaking, photography, installation, and writing. He is deeply rooted in cultural memory, postcolonial critique, and in bridging creative practice with scholarly infrastructure—building counter-archives, annotating speculative poetry like Southeast Asian manuscripts, and fostering regional solidarity through ethical art collaboration.
He has been active in the Philippine art scene since the late 1990s and has worked with galleries, museums, artist-run spaces, and international cultural organizations.His practice appears to represent several interconnected concerns:
Cultural work as artistic practice. Roldan has argued that the labor of curating, organizing exhibitions, teaching, documentation, and cultural administration should be understood as creative work rather than merely support work. This perspective has been reflected in his writings and exhibitions.
Social and political engagement. His artworks frequently address politics, religion, faith, denial, courage, social inequality, and the everyday experiences of Filipinos. He has stated that he draws inspiration from Filipino cultural practices while approaching painting, printmaking, and installation from a conceptual perspective.Printmaking and conceptual art. Roldan is particularly recognized for his printmaking, with works shown internationally, including exhibitions in Japan and France. His practice also encompasses painting, photography, installation, and curatorial research.International cultural exchange. A significant milestone in his career was receiving an Asian Cultural Council fellowship in 2003, which enabled him to undertake research and create work in the United States while engaging with artists and curators internationally.
More broadly, Roldan's work represents an attempt to bridge artistic production, curatorial practice, scholarship, and cultural activism . His writings often emphasize postcolonial discourse, cultural memory, and the ethics of artistic collaboration, positioning the artist not only as a maker of objects but also as a builder of cultural infrastructure.
In the Philippine contemporary art context, he can be understood as representing the figure of the artist-curator-cultural worker —someone who contributes both through making artworks and through developing exhibitions, mentoring artists, and fostering institutional and independent cultural initiatives.
Recent show at ILOMOCA
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Amiel Gerald A. Roldan™ started Independent Curatorial Manila™ as a nonprofit philanthropy while working for institutions simultaneously early on.
The Independent Curatorial Manila™ or ICM™ is a curatorial services and guide for emerging artists in the Philippines. It is an independent/voluntary services entity and aims to remain so. Selection is through proposal and a prerogative temporarily. Contact above for inquiries.
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