Overture: “Manifesto o Monologo? Sa Bulwagan, Unang Salpukan Pa Lang, May Asim Na

Overture: “Manifesto o Monologo? Sa Bulwagan, Unang Salpukan Pa Lang, May Asim Na.

Amiel Gerald A. Roldan™

July 7, 2026

 

Hindi pa man umiinit ang upuan, kumalampag na ang mga salita.

Parang tipikal nga sa atin: bago pa mailatag ang pinggan, may nagtatalo na kung sino ang unang sasalok. Sa pagbubukas ng paglilitis sa impeachment, hindi ebidensiya ang unang umalingawngaw kundi ang lumang sayaw ng kapangyarihan—kung sino ang may karapatang magsalita, at kung paano ito dapat sabihin.

"Your Honor, would I be allowed to finish?" ani Rep. Lorenz Defensor, wari'y guro sa silid-aralan na pinutol habang nagtuturo. Hindi pa man natatapos ang unang pangungusap, sumingit agad si Atty. Carlo Narvasa, tangan ang sandata ng teknikalidad. Hindi raw ito paglilitis; tila kuwentuhan. Hindi raw manifestasyon; tila narasyon. Ang nais niya: tigilan ang pambungad at iharap na agad ang unang saksi.

Dito sumisilip ang lumang kabalintunaan ng batas. Ang hukuman ay hindi lamang teatro ng katotohanan; ito rin ay entablado ng pamamaraan. Sa Pilipinas, madalas mas maingay ang argumento tungkol sa proseso kaysa sa mismong isyu. Kung baga sa palengke, hindi pa napag-uusapan ang isda, nagtatalo na kung tama ba ang timbangan.

May bahid ng "aba'y teka muna"—isang ugaling pamilyar sa ating mga barangay, korte, at maging sa hapag-kainan. Ang bawat salita ay tila pagtataya ng teritoryo. Ang bawat pagsingit ay hindi lamang pagtutol; ito'y deklarasyon ng impluwensiya.

Ang ironiya? Ang akusasyon na "kinukuwento" lamang ng prosekusyon ay isa ring kuwento sa sarili nito—isang salaysay na ang wastong proseso ang dapat maging pangunahing bida. Sapagkat sa batas, ang anyo at nilalaman ay magkaribal na laging nag-aagawan ng sentro.

Sa huli, ang unang banggaan nina Defensor at Narvasa ay higit pa sa personal na palitan. Isa itong paunang nota ng mas malawak na simponiya ng pulitika at batas—kung saan ang bawat "Objection!" ay may bahid ng estratehiya, ang bawat "Your Honor" ay may nakatagong kalkulasyon, at ang bawat segundo ng katahimikan ay maaaring maging mas maingay kaysa sa isang talumpati.

Kaya ika nga sa atin, "Aba, umpisa pa lang, nagkakainitan na." At kung ganito na ang overture, malamang ang susunod na mga yugto ay hindi lamang paglilitis sa isang opisyal, kundi pagsusulit din sa tibay ng ating mga institusyon—at sa kakayahan nating paghiwalayin ang ingay ng politika sa himig ng hustisya.

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*** credit to the owners of the photo & articles otherwise cited

If you like my any of my concept research, writing explorations, art works and/or simple writings please support me by sending me a coffee treat at my paypal amielgeraldroldan.paypal.me or GXI 09053027965. Much appreciate and thank you in advance.

Amiel Gerald A. Roldan™' s         connection to the Asian Cultural Council (ACC) serves as a defining pillar of his professional journey, most recently celebrated through the launch of the ACC Global Alumni Network.  

​As a 2003 Starr Foundation Grantee, Roldan participated in a transformative ten-month fellowship in the United States. This opportunity allowed him to observe contemporary art movements, engage with an international community of artists and curators, and develop a new body of work that bridges local and global perspectives.

Featured Work: Bridges Beyond Borders         His featured work, Bridges Beyond Borders: ACC's Global Cultural Collaboration, has been chosen as the visual identity for the newly launched ACC Global Alumni Network. 

​Symbol of Connection: The piece represents a private collaborative space designed to unite over 6,000 ACC alumni across various disciplines and regions.

​Artistic Vision: The work embodies the ACC's core mission of advancing international dialogue and cultural exchange to foster a more harmonious world.

​Legacy of Excellence: By serving as the face of this initiative, Roldan's art highlights the enduring impact of the ACC fellowship on his career and his role in the global artistic community.

Just featured at https://www.pressenza.com/2026/01/the-asian-cultural-council-global-alumni-network-amiel-gerald-a-roldan/

Amiel Gerald A. Roldan™         curatorial writing practice exemplifies this path: transforming grief into infrastructure, evidence into agency, and memory into resistance. As the Philippines enters a new economic decade, such work is not peripheral—it is foundational.   

 

I'm trying to complement my writings with helpful inputs and prompts. Bear with me as I am treating this blog as repositories and drafts.    

Please comment and tag if you like my compilations visit www.amielroldan.blogspot.com or www.amielroldan.wordpress.com 

and comments at

amiel_roldan@outlook.com

amielgeraldroldan@gmail.com 

A           multidisciplinary Filipino artist, poet, researcher, and cultural worker whose practice spans painting, printmaking, photography, installation, and writing. He is deeply rooted in cultural memory, postcolonial critique, and in bridging creative practice with scholarly infrastructure—building counter-archives, annotating speculative poetry like Southeast Asian manuscripts, and fostering regional solidarity through ethical art collaboration.

Recent show at ILOMOCA

https://www.facebook.com/share/v/16qUTDdEMD 

https://www.linkedin.com/safety/go?messageThreadUrn=urn%3Ali%3AmessageThreadUrn%3A&url=https%3A%2F%2Fwww.pressenza.com%2F2025%2F05%2Fcultural-workers-not-creative-ilomoca-may-16-2025%2F&trk=flagship-messaging-android

Asian Cultural          Council Alumni Global Network 

https://alumni.asianculturalcouncil.org/?fbclid=IwdGRjcAPlR6NjbGNrA-VG_2V4dG4DYWVtAjExAHNydGMGYXBwX2lkDDM1MDY4NTUzMTcyOAABHoy6hXUptbaQi5LdFAHcNWqhwblxYv_wRDZyf06-O7Yjv73hEGOOlphX0cPZ_aem_sK6989WBcpBEFLsQqr0kdg

Amiel Gerald A. Roldan™          started Independent Curatorial Manila™ as a nonprofit philanthropy while working for institutions simultaneously early on.   

The           Independent Curatorial Manila™          or          ICM™          is a curatorial services and guide for emerging artists in the Philippines. It is an independent/voluntary services entity and aims to remain so. Selection is through proposal and a prerogative temporarily. Contact above for inquiries.    

 

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 Disclaimer:

This work is my original writing unless otherwise cited; any errors or omissions are my responsibility.The views expressed here are my own and do not necessarily reflect those of any organization or institution.

Furthermore, the commentary reflects my personal interpretation of publicly available data and is offered as fair comment on matters of public interest. It does not allege criminal liability or wrongdoing by any individual.