The Role of The Painter Artists
The Role of the Painter Artists
December 6, 2002
The Socio-Political activities of the group "Salingpusa' and the Neo Socio-Political representations locally and abroad of the group "Sanggawa" 1989-1995 maintained the influx of socio-patriotic sentiments. For new groups and affiliations led by young artists from different institutions around Manila it opened a new perspective.
A sense of dynamism and an imminent need for consideration and acceptance for young artists grew amidst the acceptance of these same established artists from Hiraya Gallery led by stalwart curator, Bobi Valenzuela. With the initial successes of young artists of Ang Delatang Pinoy, Yes the Filipino Can! at the Main Gallery and the Discovery Series at the Mezzanine of the Hiraya Gallery collaborations and interests grew among peers and artists alike. Beginnings of groups and affiliations strengthened. Acceptance cemented it and consideration and common respect bonded it fully.
With the recognition and acknowledgment, initiatives of combining divergent and dynamic sentiments amidst a series of traveling shows and artists talks around Manila institutions garnered favorable intentions in 1996. Jorge B. Vargas Museum with help from another curator, Dr. Brenda Fajardo opened her venue for discussions and preparations of shows of this magnitude and purpose. The different artists' orientations and discipline prove a different inclination, though. The organization tried to consider the multi-diversity of influence. A representational albeit common sentiments grew. A need for popular and copious understanding that would try to link conceptual inclinations and regalism, socio-political sentiments and representation and popular aesthetics and symbolisms powered by a new sense of individual empowerment encompassed the groups and individuals involved.
Groups like Ugat-Lahi, the defunct Makiling's Beinteng Umaaray, UP groups, UST groups, UE individuals, St. Scholastica Fine Art students and other individual artists all helped to bring this to fruition. "From Filibustero to Marimar" opened in different schools and institutions to warm appreciation. It led to further group shows like the "Xprints" and "Reprints" initiated by collaborations between Studio 1 and Jorge B. Vargas Museum and the traveling exhibit "Banderitas" spearheaded by Ugat-Lahi.
please comment and tag if you like my compilations.
amiel_roldan@yahoo.com
amiel.roldan@gmail.com
PS A friend posted this disclosure. I am willing to try it out.
Warning: Any person and/or institution and/or Agent and/or Agency of any governmental structure including but not limited to the United States Federal Government also using or monitoring/using this website or any of its associated websites, you do NOT have my permission to utilize any of my profile information nor any of the content contained herein including, but not limited to my photos, and/or... the comments made about my photos or any other "picture" art posted on my profile. You are hereby notified that you are strictly prohibited from disclosing, copying, distributing, disseminating, or taking any other action against me with regard to this profile and the contents therein. The foregoing prohibitions also apply to your employee, agent, student or any personnel under your direction or control the contents of this profile are private and legally privileged and confidential information, and the violation of my personal privacy is punishable by law. UCC 1-103 1-308 ALL RIGHTS RESERVED WITHOUT PREJUDICE
The Socio-Political activities of the group "Salingpusa' and the Neo Socio-Political representations locally and abroad of the group "Sanggawa" 1989-1995 maintained the influx of socio-patriotic sentiments. For new groups and affiliations led by young artists from different institutions around Manila it opened a new perspective.
A sense of dynamism and an imminent need for consideration and acceptance for young artists grew amidst the acceptance of these same established artists from Hiraya Gallery led by stalwart curator, Bobi Valenzuela. With the initial successes of young artists of Ang Delatang Pinoy, Yes the Filipino Can! at the Main Gallery and the Discovery Series at the Mezzanine of the Hiraya Gallery collaborations and interests grew among peers and artists alike. Beginnings of groups and affiliations strengthened. Acceptance cemented it and consideration and common respect bonded it fully.
With the recognition and acknowledgment, initiatives of combining divergent and dynamic sentiments amidst a series of traveling shows and artists talks around Manila institutions garnered favorable intentions in 1996. Jorge B. Vargas Museum with help from another curator, Dr. Brenda Fajardo opened her venue for discussions and preparations of shows of this magnitude and purpose. The different artists' orientations and discipline prove a different inclination, though. The organization tried to consider the multi-diversity of influence. A representational albeit common sentiments grew. A need for popular and copious understanding that would try to link conceptual inclinations and regalism, socio-political sentiments and representation and popular aesthetics and symbolisms powered by a new sense of individual empowerment encompassed the groups and individuals involved.
Groups like Ugat-Lahi, the defunct Makiling's Beinteng Umaaray, UP groups, UST groups, UE individuals, St. Scholastica Fine Art students and other individual artists all helped to bring this to fruition. "From Filibustero to Marimar" opened in different schools and institutions to warm appreciation. It led to further group shows like the "Xprints" and "Reprints" initiated by collaborations between Studio 1 and Jorge B. Vargas Museum and the traveling exhibit "Banderitas" spearheaded by Ugat-Lahi.
Amiel Gerald A. Roldan™
Mandaluyong City, Philippines
*** visit me at
ChatGPT-4 Amiel Roldan
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www.amielroldan.wordpress.com
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www.fineartamerica.com/profiles/ag-roldan.html
please comment and tag if you like my compilations.
amiel_roldan@yahoo.com
amiel.roldan@gmail.com
PS A friend posted this disclosure. I am willing to try it out.
Warning: Any person and/or institution and/or Agent and/or Agency of any governmental structure including but not limited to the United States Federal Government also using or monitoring/using this website or any of its associated websites, you do NOT have my permission to utilize any of my profile information nor any of the content contained herein including, but not limited to my photos, and/or... the comments made about my photos or any other "picture" art posted on my profile. You are hereby notified that you are strictly prohibited from disclosing, copying, distributing, disseminating, or taking any other action against me with regard to this profile and the contents therein. The foregoing prohibitions also apply to your employee, agent, student or any personnel under your direction or control the contents of this profile are private and legally privileged and confidential information, and the violation of my personal privacy is punishable by law. UCC 1-103 1-308 ALL RIGHTS RESERVED WITHOUT PREJUDICE
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